During covid (remember that?) one of my lockdown projects was to make an audiobook of my Urban Fantasy novella, Dark Magic. I was encouraged by a friend who is a professional voice actor but it was a very amateur effort, recorded under a desk with a duvet providing some basic soundproofing. The result was quite fun, but not really intended as a commercial exercise. Still, it’s available on Audible and Spotify and elsewhere. Spotify even sent me codes so I could give copies away but, because I wasn’t trying to actively promote it, I never did anything with them. I’ve got a lot left, gathering electronic dust in hyperspace.
But it’s coming up to Halloween and I’d like to give treats to anyone knocking on my virtual door. If you email me at tom (at) tomwilliamsauthor.co.uk, I’ll send you a code (until I run out). There’s no catch and I’ll not add you to a mailing list. (I once tried to run a mailing list but it seemed a lot of work for not much return.) There’s no warranty either. If the codes don’t work, that’s too bad (though I know some people have used them successfully).
If you like what you hear and you think you might enjoy the books, Dark Magic is available on Kindle and in paperback. You might also like to take a look at my Galbraith & Pole stories featuring the vampire detective Chief Inspector Pole.
Happy Halloween!
Header photos are from London’s Halloween skate. This year’s skate starts from Hyde Park Corner at 5.00pm on Saturday October 26th, weather permitting. Come and join the fun!
I’m so jealous of people who can just sit down and write. Back in the day, when I wrote books and reports for business, I could churn out words faster than most, but not a lot of imagination was required. Writing fiction, I find much harder work.
These blog posts fall somewhere between the two. They’re not as mechanical as much business prose but, although I am sometimes reminded that people will judge me on the quality of my writing, I’m not as worried about style as I am in my novels. Even so, they take a little while to write, especially if they have any historical information in them because I’ve learned that over the years that is always best to check details rather than rely on memory.
At the moment, I’m working on the next James Burke book, provisionally, if unimaginatively, called Burke and the War of 1812. I’m finding it more than usually challenging. Whilst by now I know enough about the Napoleonic wars not to have to keep checking every detail, the War of 1812 is new territory to me.
Not that long ago, I had no idea what the War of 1812 was. If that’s you too, it was a silly little scrap between Britain and the young United States of America notable, in this country at least, for the British burning down the White House. Most people in Britain tend to overlook it because there were other things going on in Europe at the time: Napoleon invading Russia for one.
Because it was quite a small war, there were few great strategic clashes of armies. Instead there was a fight here, a clash there, a naval engagement somewhere else. Pulling it all together into something that can be made a coherent adventure for one person has proved a challenge. In fact, it has proved impossible, so for much of the time James Burke and his trusty sidekick William Brown are operating independently from each other. This brings its own problems in writing as keeping track of them and having them meet up at crucial moments is not that straightforward. Which is why this week’s post is a short cri de coeur about the struggles of a historical novelist before I dive back into a world of Shawnee warriors, heroic colonials and (sorry American readers) dreadful Yankees.
At the current rate of progress, Burke and the War of 1812 should see the light of day early in 2025.
Featured photo: The Battle of Queenston Heights, 13 October 1812. Library and Archives Canada, 2895485
Tales of Empire is free on Kindle until Saturday 5 October. If you’re reading this after that, you will have to fork out a whole 99p. Here’s why you should grab a copy.
Tales of Empire is a book of four short stories showcasing the work of four very different but uniformly excellent historical fiction writers. (Well, three excellent writers plus me.)
The authors were asked to submit a story set anywhere from the end of the Napoleonic Wars to the end of the century. Although they all write conventional historical fiction with no revisionist agenda, all four stories ended up challenging some of the more traditional approaches to Empire.
These are the authors and what they write about.
Antoine Vanner is the author of the Dawlish Chronicles, a series of novels (and the odd short story) about the adventures of Nicholas Dawlish who joins the Royal Navy in the second-half of the 19th century as the Navy is moving from wooden sailing vessels to the modern world of ironclad steamers. The stories show Dawlish developing from a very young man to a seasoned mariner, his own progress mirrored in the development of the ships that he sails in. Vanner is fascinated by the technology of naval warfare and his stories are full of solidly researched detail, but they are adventure stories too with Dawlish caught up in espionage and fighting alongside regular army forces as well as engaging in the sea battles that you would expect of a naval series.
Antoine’s contribution to this collection is a story about the Royal Navy’s attempt to suppress the slave trade and how difficult this could turn out to be in practice.
Jacqueline Reiter is a professional historian whose biography of John Pitt, 2nd Earl of Chatham, The Late Lord, is the definitive work on his life. The Late Lord is a joy to read and Reiter’s affection for, and understanding of, her subject shines through. A fictional account of a real episode in Pitt’s life is her contribution to this collection.
Penny Hampson writes mysteries set during the Regency. A Gentleman’s Promise is the first book in her Regency Gentlemen Series. She also enjoys writing contemporary mysteries with a hint of the paranormal, because where do ghosts come from but the past?
Her story looks at how social and technological change during the Regency led us from the world of the 18th century to the country we live in today.
Tom Williams (that’s me) writes the James Burke stories about a James Bond figure during the wars with France. The Burke stories have an enthusiastic following but the books he is most proud off are the John Williamson Papers which deal with more serious issues at the height of the Age of Empire. The first, The White Rajah is about the real-life James Brooke who became the absolute ruler of a chunk of Borneo in the mid-19th century. The novel looks at how his idealistic approach to government collided with the realities of the day. The short story is about a fictional tiger hunt that shows the kind of person he was and the effect his style of rule had on those around him. It was written after The White Rajah but it could well have been a chapter in that book. I hope it will encourage you to read the novel.
So there you go: four writers presenting their talents in the hope that you might read more of their work. And free. I do hope you pick up a copy. Here’s a link: mybook.to/TalesofEmpire
Next week (1st to 5th October) Tales of Empire – four short stories by four historical fiction authors – will be FREE on Amazon. One of those authors is Jacqueline Reiter who dabbles in fiction but whose main writing efforts are impressive works of historical non-fiction. The latest is Quicksilver Captain, her biography of the man famous for developing the flag code used by Nelson at Trafalgar (“England expects that every man will do his duty”). Arguably, he was responsible for the British invasion of Buenos Aires that features in my book, Burke in the Land of Silver. He did much, much more in his remarkable life and I’m delighted to host Dr Reiter to introduce him on my blog.
Quicksilver Captain
Quicksilver Captain: The improbable life of Sir Home Popham is about one of the more under-appreciated characters of the French Revolutionary and Napoleonic Wars. Popham (1762–1820) was a Royal Navy captain for most of the period, the era of Jack Aubrey and Horatio Hornblower. In contrast to his fictional counterparts, however, Popham’s real-life exploits were almost too strange – too improbable –for a novel.
Popham is best known as a scientific officer who invented the naval signal code used by Lord Nelson at the Battle of Trafalgar, and as the instigator of the British invasion of Buenos Aires in 1806 (he appears in Tom Williams’s Burke in the Land of Silver, which uses this campaign as a backdrop). But Popham first came to prominence helping the British army evacuate from Germany in 1795, where it had been abandoned by its allies and was being hounded by the French. This made Popham’s reputation as an expert in amphibious operations and got him promoted to post-captain through the personal intercession of the army’s commander, the Duke of York. This did not make Popham popular in his own profession: his Navy peers always considered him, to quote my book, “as a charlatan who had got lucky with the Army”. [1] He didn’t care. His exploits in Flanders allowed him to stand out from the crowd of other post-captains looking for employment, and he usually took on the trickier, often dirtier, jobs nobody else wanted to do. He was, as one military man put it, ‘very useful upon all occasions and in all ways’. [2]
Popham was much more than just a ship’s captain – in fact the one place he was almost certain not to be, throughout his career, was aboard his own ship. He acted as an agent for transports, a diplomat, an intelligence officer, a Member of Parliament, a hydrographer, a scientist and inventor, a publicist, and a government adviser. He muscled himself into the trust of some of Britain’s most prominent politicians, including prime minister William Pitt and Secretary of State for War Henry Dundas. Despite only being a post-captain for most of the wars with France, his political contacts meant he punched well above his weight: he influenced several important British campaigns all over the world, not just at Buenos Aires but in Europe, the Middle East, the Indian Ocean, and Africa.
Britain, with its nascent empire, had trade networks and military concerns all over the world, and much of British strategy revolved around protecting its colonies and securing strategic naval stations – as well as destroying, or more preferably capturing, those of the enemy. The foremost proponent of this ‘blue-water’ strategy during the wars was Popham’s main patron, Henry Dundas, First Viscount Melville, who believed ‘It is … as much the duty of those entrusted with the conduct of a British war to cut off the colonial resources of the enemy, as it would be that of the general of a great army to destroy or intercept the magazines of his opponent. … Exertions of that nature ought to admit of no limitation’. [3] Popham wholeheartedly agreed. Fuelled by ambition and supreme self-confidence, he became very good at shaping his ideas to suit the inclinations of the politicians – in other words, at telling his patrons what they wanted to hear.
Popham’s career involved taking risks and pushing boundaries, which often led to controversy (as at Buenos Aires), and his schemes were not always successful. His reputation was mixed in his own lifetime: he was described by one disapproving contemporary as a kind of ‘Naval Quack’. [4] Historians have mostly agreed with this; the most recent assessment of his career described him as ‘a gambler … a fiddler, a filibuster, a raider, a buccaneer and a freebooter’. [5] It did not help that Popham had once run his own smuggling vessel, and his exploits at Buenos Aires, which led to his court-martial, did not help. Still, Popham should not be dismissed so lightly. His rollercoaster career shows how one man could help shape an unfocused, but dynamic, British strategy during the wars against Napoleonic France. I definitely found Quicksilver Captain a story worth telling – and I hope readers will agree.
Notes
[1] Jacqueline Reiter, Quicksilver Captain: The improbable life of Sir Home Popham (Warwick: Helion & Co., 2024), p. 233
[2] Francis Culling Carr-Gomm (ed.), Letters and Journals of Field-Marshal Sir William Maynard Gomm, GCB … (London: John Murray, 1881), pp. 131–132
[3] Speech by Henry Dundas, 25 March 1801, as reported in William Cobbett, Parliamentary History of England … to 1803 … (London, 1819), vol. 35,cols. 1072–1073
[4] The British Library G.19449, p. xxv: marginal comment by Benjamin Tucker in his copy of A Full and Correct Report of the Trial of Sir Home Popham (London: J. and J. Richardson, 1807)
[5] Chris Coelho, ‘The Popham Code Controversy’, in J.E. Pearson, S. Heuvel, and J. Rodgaard (eds), The Trafalgar Chronicle: New Series 5 (Barnsley: Seaforth Publications), pp. 133–147, p. 133
Picture credits
Sir Home Popham, by Anthony Cardon after Mather Brown, 1807 (Public domain, Yale Center for British Art, Paul Mellon Collection)
Attack upon Buenos Aires by General Beresford, engraver unknown, 1806 (Public domain, Anne S.K. Brown Military Collection, Brown University Library)
Henry Dundas, Viscount Melville, by R. Freeman after Henry Raeburn (Public domain, The Miriam and Ira D. Wallach Division of Art, Prints and Photographs, The New York Public Library)
Further reading
Hugh Popham, A Damned Cunning Fellow: The Eventful Life of Rear Admiral Sir Home Popham KCB, KCH, KM, FRS 1762–1820 (Tywardreath: Old Ferry Press, 1991)
About Jacqueline Reiter
Jacqueline Reiter received her PhD from the University of Cambridge in 2006. Her first book, The Late Lord: the Life of John Pitt, 2nd Earl of Chatham (Pen and Sword, 2017), illuminated the career of Pitt the Younger’s elder brother. Her articles have appeared in History Today and the Journal of the Society for Army Historical Research; she has written for the History of Parliament and co-written a chapter with John Bew on British war aims for the Cambridge History of the Napoleonic Wars. Her latest book, Quicksilver Captain: The Improbable Life of Sir Home Popham, is published by Helion.
Tales of Empire
Tales of Empire is free on Kindle next week (1 – 5 October). Here’s why you should grab a copy.
Tales of Empire is a book of short stories. There are only four, which is why even when you have to pay for it, it costs only 99p. The four showcase the work of four very different but uniformly excellent historical fiction writers. (Well, three excellent writers plus me.)
The authors were asked to submit a story set anywhere from the end of the Napoleonic Wars to the end of the century. Although they all write conventional historical fiction with no revisionist agenda, all four stories ended up challenging some of the more traditional approaches to Empire.
I saw a picture somewhere on social media posted by an author who is writing their first vampire book. I can’t find it now, but it showed a couple (presumably vampires) in a dance hold.
It will be fun if someone else produces a vampire tale featuring dancers with, let’s say, specialist dietary requirements, but I hope, dear readers, that you won’t forget that you saw it here first. My ‘Galbraith & Pole’ series (three so far, but there will be more) started with Something Wicked which features murder, mystery and tango.
They say you should write about what you know and I’m putting together this blog post between Monday night’s tango and Wednesday night’s tango with a couple more evenings of tango planned for the weekend. It’s fair to say that the references to tango in the book are well researched.
The idea of tango-dancing vampires came on one of my many visits to Buenos Aires, a city almost as famous for its spectacular cemeteries as for the celebrated dance. You seem to see so many more people after dark then are around in the day and, first thing in the morning, it’s easy to believe that the weary, somnambulant creatures propping themselves up on public transport are related to the Undead.
Buenos Aires street scene. Note that the dancers stay in the shadows
Chief Inspector Pole is not your typical vampire. He’s urbane and sophisticated and has been known to cook with garlic just to make a point. But mess with him and you can see a more ruthless side to his character. Fortunately, he uses his powers for good – mostly.
If you haven’t read my Urban Fantasy books before, give Something Wicked a go. It’s just £2.99 on Kindle.
Amazon reviews
Here are some of the things people have said about it on Amazon:
If you enjoy light, amusing and elegant humour and would relish the thrills and chills of the supernatural kind, then Something Wicked is definitely for you.
Cleverly-conceived, well-written and excellently plotted
I shall never look at Brompton Cemetery in quite the same way again!
A really great read! Who knew a story about vampires, detectives and tango could be so entertaining?!
