Thank you for inviting me over to your blog today, Tom.
As I write this, I’m taking a break from writing the fourth
novel in my medieval mystery/crime series, The
Folville Chronicles. Out in 2020, this new novel will be entitled, Outlaw Justice. It follows hot on the
heels of books one-three; The Outlaw’s
Ransom, The Winter Outlaw and Edward’s
Outlaw.
Behind the plot line of Outlaw
Justice – and the whole of The
Folville Chronicle series – sits a huge amount of historical research I did
over twenty-five years ago. When I was in my early twenties I studied for a PhD
in fourteenth century English crime.
The point of my PhD was to discover if the perception that
England’s medieval society was a violent and ruthless place – as presented to
us via the literature of the day (such as the ballads of Robin Hood) – painted
a realistic picture of the criminal activity of the time. Or was it a case that, as with our fiction
today, the storytellers were embellishing the facts around them. Was Medieval
England really as lawless as the stories of outlaws and heroes would have us
believe?
As you can imagine, I spent years reading original court
rolls, fine rolls, gaol delivery rolls, as well as many other legal and
official documents. It was a fascinating – and demanding – time. I was taught
how to read Medieval Latin shorthand so that I could examine more original
documents, and spent many happy hours sat in the Public Record Office in London,
as well as deeply buried in the basement of the University of Leicester library
in the days when it still contained books.
After five years of work, comparing criminal statistics and
records with the literature of the age, I can say that – in the East Midlands
of England in particular – the balladeers were rather kinder than they might
have been. Fourteenth century Leicestershire, Northamptonshire, Derbyshire and
Nottinghamshire were violent places indeed, containing many gangs – often of
noble birth – who were prepared to do anything to stay ahead of a legal system
that couldn’t cope with the level of crime being committed.
Obviously, that is a generalised answer to a complex
question, but it did make me think about those criminal gangs. In some cases
they were set up in a way very similar to the one we associate with the stories
of Robin Hood and his followers today.
It was my research, and the tentative conclusions I
reached, that led me to concentrate my work on the Folville family. This family
of seven brothers from Ashby Folville in Leicestershire seemed to operate more
like the Robin Hood of legend than any of the others. Many of the crimes they
are recorded to have committed read like lines from the ballads themselves.
What if…I wondered…the Folville brothers used the Robin
Hood ballads as a guidebook from which to run their criminal enterprise?
It was that question that led me to using the Folville
family as the focus for what was to become, The
Folville Chronicles. With the exception of my protagonist, Mathilda of
Twyford, and her friend Sarah, the family housekeeper, you’ll find all the
Folville household members and their associates, not just in my novels, but in
the historical documents from the 1320s-1330s; when they ruled Leicestershire
with a fierce pride.
Each of the four books in the series is based on a real
historical event in the Folville’s lives, from their involvement in the murder
of the corrupt Baron of the Exchequer Roger Belers, to the kidnap and ransom of
Sir Richard Willoughby. I’ll say no more, for fear of ruining the read!
Here’s the blurb of Book One- The Outlaw’s Ransom
When
potter’s daughter Mathilda is kidnapped by the notorious Folville brothers as
punishment for her father’s debts, she fears for her life. Although of
noble birth, the Folvilles are infamous throughout the county for using crime
to rule their lands—and for using any means necessary to deliver their
distinctive brand of ‘justice’.
Mathilda
must prove her worth to the Folvilles in order to win her freedom. To do so,
she must go against her instincts and, disguised as the betrothed of Robert de
Folville, undertake a mission that will send her to Bakewell in Derbyshire, and
the home of Nicholas Coterel, one of the most villainous men in England.
With her
life in the hands of more than one dangerous brigand, Mathilda must win the
trust of the Folville’s housekeeper, Sarah, and Robert Folville himself if she
has any chance of survival.
Never have
the teachings gleaned from the tales of Robyn Hode been so useful…
(Although The
Folville Chronicles form a series, they can also be enjoyed as standalone
reads.)
With a background in
history and archaeology, Jennifer Ash should really be sat in a dusty
university library translating Medieval Latin criminal records, and writing
research documents that hardly anyone would want to read. Instead, tucked away
in the South West of England, Jennifer writes stories of medieval crime.
Influenced by a
lifelong love of Robin Hood and medieval ballad literature, Jennifer wrote the
murder mystery/adventure series, The
Folville Chronicles, (The Outlaw’s Ransom, The Winter Outlaw and Edward’s Outlaw, Littwitz Press,
2017-2018) The final novel in the series, Outlaw
Justice, will be published in 2020.
Jennifer also writes as
Jenny Kane. Her work includes the contemporary women’s fiction and romance
novels, Romancing Robin Hood (2nd
edition, Littwitz Press, 2018), Abi’s
Neighbour (HeadlineAccent, 2017),
Another Glass of Champagne (HeadlineAccent, 2016), and the bestsellers, Abi’s House (HeadlineAccent, 2015), and Another Cup of Coffee (HeadlineAccent, 2013).
No book review from me this Tuesday, but a reminder that I have the odd book that you might like to give your friends for Christmas.
The latest, of course, is Dark Magic. I hate the phrase “comedy thriller” because books described like that are generally neither funny nor thrilling, but if I have to put it into genre I guess that’s one it fits. At least some people found it funny according to their Amazon reviews:
I especially liked the author’s dark, sly sense of humour … had me laughing out loud.
genuinely funny
shot through with dark humour
Some (rather to my surprise) seem to have found it quite scary too.
well-written and chilling story … made me shudder
The paperback is on sale at £4.99 and is an ideal Christmas stocking filler.
I’ve been delighted to see that the John Williamson series is selling the odd copy in paperback which is unusual nowadays. Perhaps the retro feel of it (it’s a first person account of Williamson’s adventures in the 19th century) works particularly well on paper. I’ve been offered space in an anthology to bring John Williamson back for one short story during 2020. Because the three stories (although each a separate novel) make up a proper cycle as Williamson discovers himself and returns, changed, to the beginning, there will be no more John Williamson books, but I’ve missed him and the idea of featuring him in a short story is very appealing.
It’s been four years since Burke at Waterloo was published on the bi-centenary of the battle. The books sell steadily, but not well enough to make them particularly attractive to publishers and there are issues about American rights. Like a lot of authors I’m now moving to publishing my own books.(Dark Magic was self-published because there is hardly any interest in novellas from publishers. Even Steven King struggled with selling novellas.) I’m planning to publish the latest James Burke novel next year. Until then, why not catch up with the three already available?
This series is a fast-paced adventure, well researched, and highly entertaining. James Burke is a terrific character
I’ve got a new book out. Have you noticed? And now it’s available in paperback too, which is exciting, at least as far as I’m concerned.
Thank you to everybody who has bought it or reviewed it or just given me enormous support in real life or on social media. It really is appreciated.
This launch experience has also made me feel a lot happier about this blog. Every so often you may have noticed me writing stuff saying that producing a blog can be very lonely. You send it out and the statistics say that quite a lot of people read it every month. (I get around 3,000 visitors, which is hardly viral, but I find quite satisfying.) Not that many people comment on here, though, and I know that a lot of my visitors are bots.
(I know some writers who are convinced that the number of visits they get from Russia reflects the popularity of their books there, but I have my doubts.) So I do sometimes wonder if you are all real and really care at all about my books. And this month you have put my doubts to rest.
This is the first proper book launch I’ve had since I started this blog. (I know: it’s been too long. There will be more very soon.) And I have had more visitors this month than ever before! And (and this is the brilliant bit) so many of you have actually visited to read the news about my book. In fact, the original post about it (which came out at the end of October) is my third most-read post ever and some people have even taken the trouble to comment on it, which is always nice. I don’t think the bots can recognise my excitement and home in on this one, so this does suggest real human beings read it. *Waves *
Anyway, that’s all I have to say this week. Thank you so much and, if you haven’t yet, please buy the book (just £1.99 on Kindle). Next week you’re getting a proper blog post with lots of history in it, thanks to the wonderful Jennifer Ash. Happy reading until then.
I’ve been very enthusiastic about Frank Prem’s first two books of poems, so he kindly sent me a copy of his latest, The New Asylum.
I’ve taken a while to read it and I’m finding it quite a difficult book to review. When I was at university I spent one summer vacation working in a psychiatric hospital. It says a lot about the period that the official name of the hospital was the – Hospital for the Mentally Subnormal and Severely Subnormal. I doubt it’s still called that these days, although the cruel bluntness of its name was at least honest, unlike the weaselly ‘learning difficulties’ of today. I was on a ward for ‘psychotic and disturbed’ patients. Daily life could include violent attacks, trying to reassure a paranoid patient that the others didn’t all hate her, and dealing with random chaos. A tutor at university said that I described behaviour that was already unusual as the increased availability of effective drug treatment meant that patients seldom exhibited such florid symptoms. Perhaps part of the problem was that we had only limited access to drugs that could be used for acute interventions because they had to be administered by a qualified doctor and there was only one on duty in the whole hospital. By the time he got round to our ward in response to an urgent phone call we usually had the patient in a straitjacket (yes, we still used them) and the immediate crisis was over. Despite all this, though, it was a happy summer. I won’t say I made firm friends, but I did go back to visit patients I remembered with affection. There was the woman who was being prepared for a half-way hostel. “What do you want to do when you get out?” “I want to rob gas meters, Tom.” I wished her luck. She was a pleasant person and it’s good to have a goal in life. And the lady who thought she was the Pope always tried to be nice. “Do you want to hear a dirty joke, Tom?” “Go on then.” (It was always the same joke.) “A white horse down a coal mine.”
Why am I telling the story of my summer instead of reviewing Prem’s book? Because his poems took me back to that summer, which I haven’t really thought about for decades and it has aroused emotions I had forgotten. The hospital, by today’s standards was (like Prem’s) a dreadful place. And (like Prem) I had no idea what I was doing. The nurses had little formal training and relied on experience and instinct. They were wonderful and, like Prem, I am amazed at how they just kept on dealing with the blood and the mess and the violence and, despite everything, created a safe and, astonishingly, kind place for the people who lived there. The doctors (noticeably absent in Prem’s poems too) were never around, leaving the nurses and the nursing assistants (that would be me) to cope, and we despised them. But we got along and nobody died. (Given that we had actual murderers on the wards, this wasn’t something you could take for granted.)
Take it away, Frank:
today they’re okay on this day at the start of october I’m proud
this crew of mine a random ragtag of workers has pulled together to make it through the shift
it wasn’t without drama sickness left our numbers down experience was light on the ground and there was madness in the air
…
but today the shift held up they worked for each other for the people they’re here for and it went okay
I feel proud
A good poem can touch the heart and take you to places you may have lost and it can bring back the sad things and the happy. These are good poems. I found them difficult to read, but I’m glad I did. They may not have as much effect on you as on me, but I hope you read them. Frank has things to say and it would be good to hear them.
in aftermath it seems so clear
there are few mental-health happy endings
and there are no simple cures
there’s just the risk of cynicism among repeat offenders with bad habits
and minds that won’t take the time to learn
there’s only so much before enough of trying to change worlds
enough of listening catching flak and shouldering tears
of bearing other people’s burdens
there is no room no role for heroes
there is only mental health and all it requires is you and I to be its creatures
My new book, Dark
Magic, features two troupes of magicians. One is using black magic in their
act, but the other is made up of regular stage magicians and many of the tricks
described are often featured in the magic shows that many of you may have seen.
There is a mention of Fay Presto’s “bottle through
table” trick. Fay is a real person and a stalwart of the British (and,
increasingly, international) magic scene. “Bottle through table” is
one of her two signature tricks, the other being pinning a chosen card to the
ceiling. The card trick is truly remarkable. A member of the audience selects a
card, it is shuffled into the pack, and then Fay throws the pack and a thumb-tack
at the ceiling. All the cards fall to the ground except one which is pinned to
the ceiling. She doesn’t perform it often these days as fewer ceilings are made
of the sort of tiles that it’s easy to pin things to and which burn so prettily
when the place catches fire. She also claims that she no longer has quite the
strength in her wrist needed to make a success of the trick. But in clubs in
London and around the country you may still see playing cards pinned to the
ceiling, proof that Fay once visited and nobody could be bothered to find a
ladder long enough to recover the card.
Table magic
Fay is very much in the old tradition of magic. The
bread-and-butter of her work is performing in clubs and private parties, mainly
doing close-up magic or “table magic”, so-called because the tricks are
worked at restaurant tables where most (if not all) of the magician’s income
comes from tips. Unless you have affluent friends or enjoy expensive clubs,
it’s likely that you have never seen top-quality table magic, which is a shame.
It’s probably the most demanding kind of magic there is. Big stage illusions can
be practically self-working and, in any case, are carried out, as the name
implies, on a stage where you have control of the lighting and, more
importantly, the angle at which the audience sees the trick. The audience too, having
paid good money to see you, desperately wants to be impressed. Table magicians,
on the other hand, are working really close to an audience who may shuffle and
move around or peer over from adjoining tables, meaning that the magician is
never quite sure of their audience’s sightlines. Somebody at the table may not
like magicians, somebody may be drunk – the table magician has to win them
over. And the audience hasn’t paid for a ticket and, indeed, may be quite keen
to convince themselves they haven’t seen anything worthy of a tip. Watching the
likes of Fay Presto not only performing seriously high-end prestidigitation
(she is often described by fellow professionals as one of the best close-up
magicians in the world) but doing all this while quietly controlling the drunk,
winning over the sceptic, and charming everybody else into generous payment for
her act, is a pleasure.
Fay performed at my son’s wedding. He’s not rich, but he’s a
good friend of hers and this was a generous gift. She’s about to pour a glass
of wine into that newspaper and when the paper is torn up, not a drop of wine
will be seen – and she’s doing this with people watching from behind her!
Photo by Ben Morse
Fay, like a lot of magicians, has
been seeing something of a career revival of late. Perhaps it’s a response to
the grim reality around us these days that more and more people want to escape
into a world of magic. Whatever the reason, it’s good news for the likes of Fay
Presto and for those of us who appreciate the special wonder of an evening with
people like her.
I hope that there is a touch of magic in my book as well.
Fay has weekly residencies at Langan’s Brasserie and The Ned in London. Other performances and contact information can be found at FayPresto.com
